![]() ![]() The role of The Girl was perfectly suited to Marilyn's screen image, and The Seven Year Itch garnered the actress some of the finest reviews of her career. Here, a simple rendition of "Chopsticks" goes terribly awry. ![]() Tom Ewell, reprising his Broadway role, is pricelessly funny as Sherman. When she makes it clear to Sherman that romance is out of the question, she does it with wit and kindness. Even when Sherman's fantasies become wild and extreme (and extremely funny), The Girl remains in control of the relationship. The Girl is far from a buffoon to the contrary, she is clearly at ease with her sexuality. Yet, Marilyn's ability to combine sexuality with a childlike innocence, plus the way her natural warmth and sincerity shine through her surface glamour, elevates the character of The Girl above the level of mere sex object. As such, the potential exists for the character to be shallow and even unsympathetic. We learn little about her as an individual she doesn't even have a name. Torn between his fantasies about The Girl and his guilt over betraying his wife, Sherman eventually sees the wisdom of remaining a faithful husband.Īs the object of his fantasies and desires, The Girl is, in part, a figment of Sherman's imagination. Sherman's wife and young son have gone away for the summer, and he seizes the opportunity to get to know The Girl. Sherman is a very married New Yorker who daydreams and fantasizes about The Girl, a gorgeous model who has sublet the apartment above him. The film's simple storyline revolves around the inner conflicts of Richard Sherman, a role Ewell was reprising from the Broadway production. Though Marilyn's character of the "The Girl" may appear to be just another dumb blonde, the sheer force of Marilyn's talent and personality grants the character an innocence and dimension beyond the reach of lesser actresses. The Seven Year Itch is considered one of Marilyn's best films, for a variety of reasons: the inspired performances by Marilyn and costar Tom Ewell, the direction by Wilder, and the script by Wilder and George Axelrod. None of the turmoil of Marilyn's personal life ended up on the screen. ![]() She was so engaged in her work that Wilder often got what he wanted after only one or two takes. ![]()
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